Portret van Usum Cassan by Anonymous

Portret van Usum Cassan 1549 - 1577

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light pencil work

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pencil sketch

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old engraving style

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sketch book

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personal sketchbook

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sketchwork

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pen-ink sketch

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

Dimensions height 108 mm, width 83 mm

Curator: So, we're looking at "Portret van Usum Cassan." It's estimated to be from somewhere between 1549 and 1577 and created by an anonymous artist. Editor: First thought? Intensely detailed, but something about the symmetry makes it feel very formal and almost... frozen in time. Curator: The artist used precise hatching techniques, you see it in the rendering of the fur collar, to convey texture and volume without the aid of color. Observe the calculated cross-hatching; it constructs form and captures light meticulously. Editor: Precisely! And notice how that formal rendering contrasts with the expressiveness in the face. The eyes feel incredibly alive compared to the patterned clothing. There's something poignant there—like the person is battling against the constraints of presentation. I get the feeling of someone peering out from behind a mask. Curator: That conflict might speak to the era; we know that artistic expression was shifting away from purely religious iconography and more towards explorations of individual character. Note how his hat has that distinctive shape and shading to show depth, indicating a level of importance, of position in society. Editor: Right, it is indeed a very particular shape for that hat! The frame with the foliage suggests a bit of softness but I confess, overall it gives me the chills. What strikes you most about it? Curator: Its unfinished quality fascinates me. There are clear divisions and empty spaces which speak to it being an evolving, unfinished product. I find myself wondering if we are intruding on the space of the sketchpad of the artist or owner. Editor: Yes! And maybe that incompleteness invites us in to finish it in our own minds. Curator: The calculated placement of shading, gives a presence to the subject, making one wonder what we are not being told, even in a seemingly innocent portrait. Editor: So even through a few lines, there's still so much that's communicated across centuries! A silent but powerful story of a person, an era, a technique.

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