Hervormde Diakonie te Amsterdam, loodje dat behoeftige kerklidmaten bij uitdeling recht gaf op brood 1861

Curator: This object at the Rijksmuseum is a bronze relief from 1861, created by David van der Kellen. It's called "Hervormde Diakonie te Amsterdam, loodje dat behoeftige kerklidmaten bij uitdeling recht gaf op brood," which translates to "Reformed Diaconate in Amsterdam, a token that entitled needy church members to bread during distribution." Editor: Initially, I am struck by how the use of bronze gives it a sense of austere solemnity, while the composition feels surprisingly grand for something meant to be a token. The texture implies substantial weight, hinting at its deeper implications. Curator: Yes, tokens like this weren't just practical; they were laden with meaning. The imagery invokes traditional symbolism associated with charity and authority. On one side, we see a figure of Charity seated with a lamb, a clear Christian reference. Editor: Indeed, note the elegant curves and smooth surfaces. The seated figure, reminiscent of classical depictions of virtues, occupies most of the round space and is positioned carefully to guide the viewer’s eye along the periphery of the token and text. Curator: On the reverse is imagery that is somewhat more coded. Two loaves resting on what I believe is a representation of the scriptures, but what it represented to people in 1861 might be completely different for the audience today. What is clear, though, is its testament to social and cultural memory. Editor: I find that the placement of these images on the surface is highly important. Each is positioned, shaped, and angled in particular ways that serve to accentuate their thematic value. The weight, feel, and design come together to evoke empathy and seriousness in the holder. Curator: This token is really interesting to see how religion tried to alleviate social needs. This little object represents not only sustenance, but also the values, both symbolic and practical, that a society upholds. Editor: It is interesting to me how we read symbolic and representational aspects in a very concrete piece of design, transforming both its visual and physical value for those that might use it.