De Heilige Christoffel draagt het Christuskind by Monogrammist MZ

De Heilige Christoffel draagt het Christuskind 1500 - 1503

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print, engraving

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allegory

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print

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pen sketch

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figuration

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pen-ink sketch

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line

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history-painting

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northern-renaissance

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engraving

Dimensions: height 186 mm, width 130 mm

Copyright: Rijks Museum: Open Domain

Curator: Up next, we have a 16th-century engraving by Monogrammist MZ titled "Saint Christopher Carrying the Christ Child." Created between 1500 and 1503, it presents the familiar saint wading through water, a small child perched upon his shoulders. Editor: The first thing that strikes me is the vulnerability of the image. Despite the apparent narrative of strength and the heroic feat implied, everything in the piece, the etching style, the slightly bowed figure of the man wading, speaks to frailty. Curator: Indeed. Christopher, as legend has it, was a giant of a man who dedicated himself to serving the greatest king. Upon discovering Christ, he used his strength to carry people across a dangerous river. The child represents the weight of the world he carries in faith, a burden that becomes increasingly heavy the further he treads. Editor: The image’s beauty resides, I think, in its portrayal of humility and unexpected burdens. Look how Christ extends His hand as if in benediction, even though he weighs down Christopher’s every step, a surprising role reversal between the one who is assisted and his benefactor! I like this touch of subtle inversion; the engraver suggests profound empathy, in my view. Curator: Yes, the artist encapsulates the concept that even the holiest figures require assistance on their life path, thus interweaving reciprocity with sacrifice. The staff in his hand sprouting leaves shows that the image's intended message may also refer to resurrection. Consider, also, the water— a prominent baptismal element during the time—suggests a transformative journey. Editor: In all honesty, at first glance, I thought, another old religious icon; however, considering the visual rhetoric—this negotiation of giving and taking in this physically demanding moment captured, makes this piece stand out to me. Curator: Certainly, even from its relatively simple lines, much about devotion is evident within the visual story of the print. Editor: Absolutely, It provokes some thoughts about faith in times of distress!

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