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Curator: This is Johann Kissling, an engraving by Johann Kenckel who lived between 1688 and 1722. The print is currently held at the Harvard Art Museums. Editor: My first impression is one of formal authority, but with a certain softness, almost cherubic, provided by those plump angels. Curator: The angels themselves carry attributes - a mirror and what appears to be a quill holder. Mirrors often represent wisdom or self-awareness. Editor: Yes, and the way the oval frame intersects with the rectangular base creates a compelling tension. It's like a window into a different realm of representation. Curator: And beneath the portrait, we see text in German. This likely elucidates Kissling’s virtues and perhaps even alludes to his lineage, judging by the coat of arms. Editor: The composition as a whole directs our gaze—from the textual foundation, upwards to the cherubs, and ultimately to the sitter's face. It’s a visual hierarchy. Curator: Indeed, each element contributes to an overall symbolic tapestry meant to convey not just likeness, but also Kissling’s enduring legacy. Editor: It certainly prompts one to consider the enduring power of images to shape and solidify cultural memory.
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