Notitie by Arnoldus Johannes Eymer

Notitie c. 1803 - 1818

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drawing, paper, watercolor, pencil

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drawing

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landscape

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paper

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watercolor

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romanticism

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pencil

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watercolor

Curator: Arnoldus Johannes Eymer created this landscape drawing around 1803 to 1818 using watercolor and pencil on paper. It is titled "Notitie." Editor: My first impression is quietude. There's such a subtle interplay of light and shadow. It almost feels like a memory fading into the paper itself. Curator: Indeed. Observe the very deliberate placement of each element: the horizontal lines anchoring the composition. The suggestion of trees mirroring on the right, and how the muted tones almost negate color. There's a strategic restraint, highlighting formal considerations over literal representation. Editor: It also brings to mind a Romantic fascination with nature. Perhaps it’s meant to represent the Sublime, with a capital 'S', where the insignificance of humankind is juxtaposed with an overwhelming and somewhat frightening Nature? What symbols or meanings can be extracted from this deliberate understatement? Curator: Symbolism, perhaps, emerges from its very lack. Consider the composition: an attempt to dissect the experience of viewing a place. By using so little visible, by focusing only on simple shapes, and not much color, we are allowed the space to dissect its construction and the subjective perception of viewing. Editor: That negative space! Is that a conscious nod to the importance of emptiness, of nothingness, in perceiving meaning? And consider its age; given the volatile history of the Netherlands during the Napoleonic era, perhaps this sketch hints at a yearning for stability, or the idealized countryside amidst upheaval? Curator: An insightful interpretation, even from apparent simplicity. Yet, I still insist on understanding the piece mainly from its form, which precedes anything else. A structured vision comes before symbolism or feeling. Editor: But is the form truly separate from the feeling? Isn’t the very deliberate understatement a signifier in itself? Regardless, what a remarkably peaceful creation! Curator: Yes, the interaction of the elements creates an intriguing composition to explore.

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