Marguerite Lemon, maitresse d'Antoine van Dyck 1605 - 1650

Jean Morin created this print of Marguerite Lemon in the 17th century. The image is framed by an octagonal border, which directs our gaze to the sitter, captured from the shoulders up. The rich hatching lines create tonal depth and describe the subject's features and clothing with great detail. The composition uses line and form to explore portraiture conventions. The octagonal frame within the rectangular sheet challenges our perception. This geometric shape disrupts the conventional framing of portraits, drawing attention to the act of representation itself. The gaze of Marguerite, directed slightly off-center, adds to the dynamic interplay between the sitter, the artist, and the viewer, destabilizing the power dynamics inherent in portraiture. Morin's technical skill enhances our encounter with the subject. Note how the lines not only define shape but also convey texture and light. This print exemplifies how formal elements can converge to challenge fixed meanings, inviting us to reconsider the relationship between representation, identity, and viewership.