-Elephant- mechanical bank c. 1940s - 1950s

Editor: Here we have a metal and mixed-media sculpture by J. Chein & Company, an -Elephant- mechanical bank, dating to somewhere between the 1940s and 50s. The bright colours and simplified forms give it such a playful quality! How would you describe the formal aspects of this piece? Curator: Its charm arises, precisely, from those simplified forms and carefully chosen hues. Notice how the cylindrical base grounds the piece, creating a stable, geometric foundation. Above that base, the rotund body of the elephant provides an interesting contrast in form. Editor: I see what you mean. The base is quite rigid, almost architectural. Curator: Exactly. And the artist cleverly employs color to further articulate these forms, distinguishing between the "drum," the elephant's body, and the ornamental details through distinct chromatic bands. Consider the implications of the colour red at the extremities of the objects: the ears and feet of the elephant are of this hue, drawing parallels between the animated animalistic element of the work, and its overall structure. It provides emphasis and visual unity. Editor: That’s a very keen observation about the usage of red! So, focusing on the visual relationships, how do you think the different parts contribute to the overall success of the sculpture? Curator: Well, structurally, it achieves balance and clarity through its considered design. The trunk's curve, inscribed with "COIN," leads the eye, while the inscription “BANK” near its base acts as its counterpart. Its appeal lies in these calculated formal decisions, reflecting an artistic intent to synthesize disparate parts into a harmonious whole. Editor: That’s fascinating; it is amazing how analyzing its structure opens up so much to consider! Curator: Indeed, appreciating its success lies in examining these components as part of its formal artistic qualities.