At a Wardrobe by Zoe Lerman

At a Wardrobe 1970

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drawing, coloured-pencil

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portrait

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drawing

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coloured-pencil

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figuration

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genre-painting

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modernism

Copyright: Zoe Lerman,Fair Use

Editor: So, here we have Zoe Lerman’s "At a Wardrobe," a coloured pencil drawing from 1970. I'm really struck by how raw and intimate the scene feels, almost like we're intruding on a private moment. What do you see in this piece? Curator: This drawing offers a fascinating snapshot into the performance of identity, especially regarding gender and social roles. The act of dressing, facilitated by the other figures in the composition, is more than just practical; it’s a construction of the self for public consumption. Consider the era, 1970: feminism was gaining momentum. Does the awkwardness of the pose, or the seeming dependence on others, suggest a tension between emerging independence and traditional expectations of women? Editor: That’s interesting. I hadn't thought about it in terms of the social context. The woman doesn’t seem entirely comfortable or empowered. Is that what you mean? Curator: Exactly. Also, think about who controls the gaze here. The artist, of course, but also the other figures in the picture. They become complicit in objectifying this woman, freezing her in this moment. The location, too, places this act of undress in the public eye. How might it have been received at the time, do you think? What kind of audience did Lerman have in mind? Editor: I imagine some might have found it a bit challenging or even confrontational. It definitely makes me think about the ways women were represented and the assumptions that were often made. Curator: It highlights how art engages with societal dialogues. Artworks are not created in isolation but within the wider network of social institutions, political discourses, and audience reception. Lerman, with "At a Wardrobe," offered a commentary on these intricate relationships, giving us much to consider today. Editor: Wow, that’s given me a completely new way of looking at the drawing! Curator: Indeed. The value of engaging with art is how it reframes our understanding of not just the artwork itself but the society within which it was created and how those societal considerations reflect into our current time.

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