Pauline Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Pauline Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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print, photography

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portrait

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print

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photography

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19th century

Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Curator: This is Pauline Hall, from the Actors and Actresses series produced by Allen & Ginter between 1885 and 1891, a photographic print originally created for Virginia Brights Cigarettes. Editor: Whoa, that's quite a mouthful. First thought? The whole scene feels… dreamy. The soft focus, the theatrical pose, it's as if she's a figure plucked from a half-remembered stage play. Curator: That's an astute observation. These cigarette cards served a very specific function—advertising. They also democratized art, bringing images of performers into everyday life. Imagine the thrill of collecting these little portraits! Editor: Democratizing… cigarettes, eh? A heady mix! But seriously, her costume is captivating—all that flowing fabric and adornment. It invites you to spin tales about her character, doesn’t it? Some kind of free spirited genie. Curator: Indeed! And it speaks to how performative fame itself was becoming. The "actress" was just as much the role she inhabited as she was the real woman. Cigarette cards helped construct and circulate these very public images. Editor: Makes me wonder what Pauline Hall herself thought about all this. Being reduced to a collectible… part dream, part commodity. You start pondering identity, agency, the whole shebang! And I bet most of those cards ended up crumpled in pockets, headed for the trash… Curator: The ephemerality of it all is crucial. But for those fleeting moments, it served its commercial purpose. Now preserved in collections like this, they offer us a peep into the celebrity culture of the late 19th century, and the cultural values encoded in popular images. Editor: From a fleeting smoke ad to a lasting contemplation on identity, performance, and, um, the commodification of dreams. Funny how the faintest fragrance can spark such thought, isn't it? Curator: It is! The photograph reminds us of the power of these tiny tokens of mass culture, a medium that invites conversation far beyond the tobacco trade of its time.

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