The Circus c. 1950 - 1952

Paul Feldhaus made this print, titled 'The Circus', using etching; a process of mark-making that is driven by process and chance. Look at the mass of figures at the bottom – they are just dark, scribbled silhouettes, capturing the excitement of the crowd. The material aspect of etching creates a unique surface. The lines are not just on the surface but bitten into the metal, giving a tactile depth. Notice how Feldhaus uses hatching and cross-hatching to build up tone, especially in the dark areas under the tents, creating a sense of depth and mystery. The little flags and stars atop each tent are rendered with such quick, scratchy marks; this adds a sense of spontaneity and energy. There’s something reminiscent of Max Beckmann in the way Feldhaus captures the frenetic energy of the circus, but with a folksy, American twist. Art's not about nailing down one meaning. It’s more like a conversation, always open to new voices and interpretations.