Barnyard Scene: two birds fighting (recto)
Studies of Birds(verso) by Anthonie van Borssom

Barnyard Scene: two birds fighting (recto) Studies of Birds(verso) 1640 - 1677

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drawing, print, ink

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drawing

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baroque

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animal

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print

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dog

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landscape

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bird

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etching

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ink

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genre-painting

Dimensions: 6 1/4 x 7 5/8 in. (15.8 x 19.4 cm)

Copyright: Public Domain

Curator: Before us we have "Barnyard Scene: two birds fighting," a drawing in ink by Anthonie van Borssom, made sometime between 1640 and 1677. Its lively sketch quality leaps right out at you, doesn't it? Editor: It does. The scene pulses with conflict and energy despite being rendered with such economic use of material. The frenetic marks capture a world where violence is mundane. I'm immediately drawn to the textures, all created by varying line weights, indicating the immediacy of the artist's encounter with this event. Curator: Exactly! The dynamism! Note how the composition evokes classical themes of predation. This struggle becomes emblematic of broader existential tensions. Borssom situates this conflict within the microcosm of a farmyard. Are we watching simply two birds vying for dominance, or do the wingspans remind us of a symbolic battle for something greater? Editor: Perhaps we should not overstate the intention to create such heavy symbolic loads in this fleeting genre scene, even with its dynamic brushwork. I'm curious about the materiality of it. Was the ink locally produced? What qualities made it the ideal medium for such on-the-spot renditions? What paper was most accessible? Curator: Those are fascinating avenues for exploration. Certainly, Borssom, steeped in the visual rhetoric of his era, would imbue such depictions of daily life with moral lessons understood through universally resonant symbols of nature’s inherent hierarchies. It is difficult to entirely divorce that potential symbolic encoding from the raw immediacy of what you're seeing in the moment of its making. Editor: Fair point. The beauty lies in recognizing those different potential readings based upon the evidence of its construction, not in declaring one absolute 'truth.' I suppose I find that consideration more grounded than reading predetermined meanings. Curator: I agree it’s about possibilities. Looking closely at the artist’s choices through line and composition illuminates not only their technical mastery but also an insightful perspective on life’s constant skirmishes. Editor: Indeed. This little barnyard brawl leaves me considering how such scenes reveal the conditions of 17th century labor through this direct style of working and choice of readily available materials.

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