Croce rossa e palle bianche 1921

László Moholy-Nagy made this abstract painting, Croce rossa e palle bianche, with a restrained palette and a focus on geometric forms. The making of art is a process, a journey of discovery, and this piece embodies that spirit. Look closely at the interplay between the red cross and the pale white spheres; there is a tension, but also a balance that really resonates. The texture is smooth, almost polished, creating a sense of precision. The way Moholy-Nagy has used the thin, almost translucent layers of paint reminds me of early computer design, with its clean lines and calculated forms, and how the eye can see one color through another, like a glitch. The use of geometric shapes and the dynamic composition reminds me of Malevich and the Suprematist movement, but with a uniquely modern twist. Art is an ongoing dialogue, a conversation across time and space. Ultimately, it's up to us, as viewers, to engage with these works and bring our own experiences and interpretations to the table.