Portret van een vrouw met hoed by Richard Kameke

Portret van een vrouw met hoed 1887 - 1898

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photography

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portrait

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16_19th-century

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photography

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historical photography

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historical fashion

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19th century

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academic-art

Dimensions: height 135 mm, width 95 mm

Copyright: Rijks Museum: Open Domain

Editor: This is "Portret van een vrouw met hoed," taken sometime between 1887 and 1898, now at the Rijksmuseum. It’s a photograph of a woman in a dark dress and an elaborate hat. I'm struck by how formal and almost severe she looks. What kind of story do you see in this piece? Curator: Well, what catches my eye is the hat. It's not merely a fashionable accessory; it’s a statement. Consider how hats have historically served as social signals. What does that headpiece signify about her class, her aspirations? It’s almost a crown. Editor: So, you're saying the hat isn't just decoration; it communicates something about her? Curator: Precisely. And look at the angle of her gaze. Is it direct? Or slightly averted? That interplay between the visual signifiers – the clothing, the posture, the expression – reveals so much about the projected self. This isn’t just a photo; it’s a carefully constructed presentation of identity. Editor: It does feel very posed and intentional, like she’s carefully controlling the image she presents. Curator: Absolutely! The symbolism is powerful. Consider the cultural context of late 19th-century portraiture. This woman isn't just showcasing herself; she's participating in a visual dialogue, adhering to, or perhaps subtly challenging, societal norms through the very act of being photographed. What do you make of the dark tones of her dress, almost blending into the background? Editor: I guess I hadn’t considered the darkness as potentially symbolic. Curator: It could represent many things: mourning, a sombre personality, or simply a common photographic aesthetic of the era. Remember, images always participate in the symbolic language of their time, inviting us to decode the visual cues they provide. Editor: This makes me look at historical photographs very differently. It’s a lot more layered than just documenting a person. Curator: Indeed. It’s a peek into how individuals crafted and negotiated their identities within the symbolic landscape of the past.

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