Cliffs 1838 - 1909

Editor: This drawing, "Cliffs," by Walter Shirlaw, probably made between 1838 and 1909, employs both charcoal and pencil. I'm struck by the contrast between the sharply defined cliff face and the hazy, almost dreamlike landscape in the background. What do you see as the most significant formal elements at play here? Curator: Observe how the composition is structured by a strong diagonal line, initiated by the dramatic rise of the cliffs on the left, creating a visual tension. Note, too, how Shirlaw’s skillful manipulation of value establishes depth, moving our eyes into the distance. Editor: I notice how the texture on the cliff is really pronounced through mark-making compared to the smoother treatment of the land far off. Was this maybe to direct our attention? Curator: Precisely. The textural contrast guides the viewer, and by directing focus, creates an implied narrative. Also, consider how the varying line weights and densities sculpt the forms of the cliffs, suggesting a complex interplay of light and shadow. Shirlaw uses the materials to their fullest expressive capacity. Editor: So it’s really the artist's command over these techniques that gives this simple landscape such dramatic presence? Curator: Absolutely. We should look to understand how an artwork functions aesthetically and structurally, not seek biographical narratives for explanations of such strong emotional impacts. Editor: This has really brought a new understanding of how much impact an artist's material choices have in shaping our perception. Thanks so much. Curator: A pleasure, to examine art through this careful consideration.