Polyptych of Cervara: St. Mauro 1506

Gerard David painted this panel of Saint Mauro, part of the Polyptych of Cervara, likely in the early 16th century using oil on wood. Oil paint, prized for its versatility and luminous effects, was carefully layered to create the textures and details you see here. Notice the contrast between the smooth, almost porcelain-like finish of the saint’s face and the heavier, more textured rendering of his robes. David’s mastery lies in his ability to mimic the weight and drape of fabric, a skill honed through years of practice and an intimate understanding of his materials. The process of preparing the wood panel, grinding pigments, and meticulously applying each layer of paint was labor-intensive. This reflects the patronage system of the time, where wealthy clients commissioned artists to create works that showcased not only artistic skill but also the patron's wealth and status. Looking closely at the painting, we can appreciate not only the artistic vision but also the immense labor involved in its creation.