Facsimile painting from the tomb of Rekhmire 1479 BC
tempera, painting
water colours
narrative-art
tempera
painting
landscape
ancient-egyptian-art
figuration
oil painting
egypt
underpainting
ancient-mediterranean
men
history-painting
Dimensions Facsimile: H. 45.5 cm (17 15/16 in.); W. 72 cm (28 3/8 in.) scale 1:1 Frame: H. 48.7 cm (19 3/16 in.); W. 75.3 cm (29 5/8 in.)
Here we see Nina de Garis Davies’ facsimile painting from the tomb of Rekhmire, now at the Metropolitan Museum. The procession of figures carrying offerings is rich with symbolism. The animals—goats, gazelles, and even a leopard—are not merely decorative; they represent tribute and abundance, reflecting the power and wealth of the deceased. Consider the ancient Egyptian’s profound connection to the animal world. The leopard, often associated with royalty, is an interesting case: it transcends geographical and temporal boundaries. From prehistoric cave paintings to its modern-day symbolic appearance as a fashion statement, the leopard embodies power, ferocity, and the untamed aspects of nature. The act of carrying offerings is deeply rooted in the human psyche; it speaks to the need for appeasement, respect, and the hope for continuity. Such gestures evoke powerful emotions, engaging viewers on a subconscious level. We are reminded that these symbols and rituals possess a life of their own, evolving as they resurface in different eras and cultural contexts.
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