Psyche Wandering, plate 28 from Cupid and Psyche 1880

Editor: So, this is "Psyche Wandering," plate 28 from "Cupid and Psyche," an 1880 etching by Max Klinger. The whole scene has a dreamy, almost theatrical quality. I'm particularly drawn to the figures in the center. What do you see in this piece from a historical perspective? Curator: Klinger situates "Psyche Wandering" within a fascinating socio-political context. The late 19th century saw a rise in both classical revival and a growing fascination with the psychological depths of individuals, thanks to thinkers like Freud. Klinger's use of a classical myth allows him to explore the internal struggles of Psyche, but it’s also a commentary on the role of women in society. Editor: That’s interesting! How does the setting influence this reading? Curator: Look closely at the surrounding landscape and decorative frame. The somewhat sparse trees and the ruins in the distance speak to a sense of isolation, but also a history that burdens Psyche, and, in the grand scheme of things, perhaps women as a whole. These elements externalize Psyche's internal state. It's also interesting that the scene appears to be staged for an audience that may have a different vision than Psyche herself. Why would you call this print “theatrical?” Editor: I notice the composition. It's almost like a play, with figures posed for viewing in a very confined picture plane. The architectural ornaments flanking each side reinforce this sense of theatrical framing. Curator: Exactly. This adds to Klinger's statement about the public role of art. Art becomes a stage where the internal is externalized, where personal turmoil is performed within cultural boundaries, doesn’t it? It raises questions about how the artist and audience understand Psyche's situation through symbolic landscape. Editor: I see what you mean now. The work acts as a commentary of social position using Psyche as a cultural artifact, trapped in history and staged in culture. I hadn't considered how the museum-like framing of the artwork makes this literal! Thank you. Curator: My pleasure. There are often powerful statements hidden within the framing and composition. Considering context expands our understanding of what we’re seeing.