Othus and Ephialtes Holding Ares Captive n.d.

John Flaxman made "Othus and Ephialtes Holding Ares Captive" using pen and ink in the late 1700s. Flaxman was a British sculptor and designer, a leading figure in the Neoclassical movement, who was known for his outlines illustrating classical literature. Here we see the giants Othus and Ephialtes, sons of Poseidon, triumphantly holding Ares, the god of war, captive. The scene, taken from Greek mythology, speaks to issues of power and control. It invites reflection on the consequences of hubris and the cyclical nature of conflict. The artist’s choice to depict this particular scene may reflect the political climate of the time. The late 18th century was marked by revolutionary fervor and a growing sense of disillusionment with authority. The linear style, inspired by ancient Greek vase painting, simplifies the composition and heightens the emotional intensity of the scene. Consider the emotional weight of this moment, where power dynamics are upended, and even gods can be humbled. Flaxman asks us to reflect on the nature of power, and the consequences of its abuse.