QUIJ 1985

Jean-Michel Basquiat made Quij, an acrylic and collage on canvas, in the 1980s. The piece presents us with the artist’s characteristic blend of raw expression and sophisticated commentary. At first glance, we see a chaotic collage of images and words, but closer inspection reveals a deeper engagement with themes of energy, technology, and social commentary. Basquiat, working in New York City, was keenly aware of the socio-economic disparities and cultural dynamics of his time. The windmill, prominently featured, becomes a symbol of alternative energy, standing in contrast to the urban decay and industrial excesses of the 1980s. Basquiat’s art often critiques institutions, challenging the established art world and its predominantly white, upper-class norms. By examining archival materials, exhibition records, and critical writings, we can better understand how Basquiat's work challenged the status quo, using art as a tool for social commentary and cultural critique.