Hercules and Lica, after Canova c. 19th century

Editor: This is S. Passamonti’s "Hercules and Lica, after Canova," a small, oval relief. It looks to be made of plaster or a similar material. It seems to depict a struggle. What can you tell me about the themes it explores? Curator: This relief, based on Canova's sculpture, captures a moment of intense rage rooted in the betrayal and suffering caused by Deianira. How does the artist confront toxic masculinity through the portrayal of Hercules's uncontrolled anger and violence against Lica, who unknowingly brought him the poisoned robe? Editor: So it's a commentary on the destructive nature of unchecked rage? Curator: Exactly! And the vulnerability of those caught in its path, furthering discussions about power, culpability, and the enduring consequences of unchecked male anger. Editor: I never considered how it could be a depiction of toxic masculinity. That's fascinating! Curator: Right? Art opens these dialogues, prompting critical engagement with societal structures.