American Tugboat, from the Types of Vessels series (N139) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco by W. Duke, Sons & Co.

American Tugboat, from the Types of Vessels series (N139) issued by Duke Sons & Co. to promote Honest Long Cut Tobacco 1889

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drawing, print, plein-air, watercolor

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drawing

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print

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plein-air

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landscape

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watercolor

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coloured pencil

Dimensions: Sheet (Irregular): 2 3/16 × 4 3/16 in. (5.6 × 10.6 cm)

Copyright: Public Domain

Editor: This is a color print called "American Tugboat" from 1889, made by W. Duke, Sons & Co. It feels… celebratory, almost quaint. I'm drawn to how the boat seems cut out from its background. What aspects stand out to you, as you consider its artistic qualities? Curator: The interplay of line and color to delineate form. Observe how the rigid geometry of the tugboat, rendered through precise lines and flat color fields, contrasts with the implied motion of the water. Semiotically, the flag is deployed with high, eye-catching contrast. How does this contrast invite further consideration of its construction? Editor: I notice the repetition of vertical lines, particularly in the sides of the boat, create a sort of visual rhythm. And is that really watercolor, given the straight edges and blocks of color? Curator: Indeed. Reflect upon how this artistic choice manipulates spatial perception. The planar rendering of the water against the suggestion of depth on the ship’s hull, complicates traditional perspective, estranging the viewer from any easily constructed reading of depth and volume. What affect is produced by it being slightly tilted? Editor: I guess it enhances the feeling of movement, but at the same time it flattens it out, makes it almost like a graphic. It really complicates the experience of the water; you feel the motion while still viewing it as something stiff and artificial. I’m surprised by how complex it is for an advertisement. Curator: Precisely. It embodies the intersection of art, commerce, and nascent nationalism, achieving a subtle yet undeniably unique aesthetic expression. Editor: I see it now! It's not just a picture of a tugboat. It’s more like an exercise in contrasts and balance, using simple techniques. I can see why breaking it down this way opens up the experience beyond a quick glance. Curator: Indeed. It provides new understandings of how a piece like this invites repeated considerations and expanded viewing.

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