Dimensions: image: 303 x 253 mm
Copyright: © The estate of Lionel Wendt, c/o Tom Peek Gallery | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: The unsettling gaze in this photogravure by Lionel Wendt immediately grips me. The figure is adorned with a pearl necklace and an intricately patterned garment. Editor: It feels spectral, almost dreamlike. The lack of pupils amplifies a sense of detachment, perhaps hinting at a deeper symbolic meaning beyond the sitter's social standing. Curator: Wendt, a prominent figure in the Ceylon Photographic Society, often challenged colonial norms through his art. The portrait seems to subtly question conventional power dynamics within portraiture. Editor: The swirling design of the dress almost vibrates, creating a visual tension. It seems less about representing reality, and more about evoking a feeling—a mood of quiet defiance, perhaps? Curator: Absolutely. And consider how Wendt, working in colonial Ceylon, used photography to explore identity and representation against a backdrop of social and political change. Editor: It certainly leaves us with a lot to contemplate about the gaze, and who has the power to look.
Comments
Join the conversation
Join millions of artists and users on Artera today and experience the ultimate creative platform.
Wendt is considered one of Asia’s earliest modern photographers. He was born in Colombo, Sri Lanka (formerly Ceylon) to a prominent family. Travelling to Europe in 1919 to study law, he encountered experimental music, visual art and literature. He kept up-to-date with developments in European modern art – including surrealism – on his return to Colombo in 1924. But instead of reproducing modernist conventions in his photographs, Wendt used what he had gained in Europe to convey the richness of Sri Lankan contemporary life and traditions. Gallery label, October 2016