Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World' by Antonio Tempesta

Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World' 1608

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drawing, print, engraving

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drawing

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print

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landscape

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mannerism

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cityscape

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history-painting

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engraving

Dimensions Sheet (Trimmed): 8 7/8 × 11 3/16 in. (22.5 × 28.4 cm)

Editor: This is "Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World'" by Antonio Tempesta, created around 1608. It's an engraving, so it has a very linear and detailed quality. I am struck by how much activity is depicted. What are your thoughts on this particular depiction of this ancient wonder? Curator: Let's consider the material realities of this image. Engraving is a reproductive medium. This print allows Tempesta to disseminate an image of the Mausoleum. The level of detail suggests a desire for accurate documentation, but also, perhaps, an idealization. Notice the various activities depicted: the quarrying, the building itself. What does that labor suggest about the monument itself? Editor: It highlights how much went into constructing something so magnificent and complex. It's not just divinely appearing out of nowhere; it's the product of human toil and organization. Do you think Tempesta aimed to showcase the "behind the scenes" aspects of the construction in comparison to, say, celebrating its artistic significance? Curator: Precisely. We need to remember that this wasn’t just art. The Mausoleum represents not only architectural ambition but also significant resource extraction. Look at the scale of material production compared to the relatively small number of aristocratic figures represented. Is Tempesta perhaps implying a specific type of socioeconomic relationship at play here? Editor: That’s interesting. It positions the tomb as less of a monument and more of a nexus for resources and, dare I say it, exploitation. So, we should analyze beyond the mere aesthetics of the monument to analyze the making-of and the material conditions and implications? Curator: Exactly. The very act of creating this image, a reproducible engraving, reinforces that connection between production, distribution, and, ultimately, the cultural significance we ascribe to "wonders" like the Mausoleum. Editor: This conversation made me appreciate a view I never had before! Thank you.

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