Two Table Designs 1565 - 1570

Curator: This pen and ink sketch is attributed to Jacques Androuet Du Cerceau and dates back to around 1565-1570. The work is aptly named “Two Table Designs” and it resides at The Met. What strikes you most upon seeing it? Editor: Initially, I’m drawn to the meticulous detail—the intricate pen work and old engraving style hint at significant labor involved in the artistic process, showcasing craftsmanship and attention to materiality of domestic arts in interior spaces. Curator: Agreed! It is stunning how the objects were presented back then, the two design concepts showcase a bold departure from classical forms with symbolic significance, don't you think? I see recurring motifs such as the grotesque, foliage, and mythical creatures...all rich in metaphor and cultural association, reflecting a time where ornamentation was integral in relaying messages. Editor: I wonder what materials the actual tables might have been fashioned from. Hardwoods? Imported marble? Who would have been able to afford such artistry, who made the tables and were they involved with these early stage sketches? Curator: Those are interesting and important questions. The visual lexicon here, particularly the symbolic creatures, gives insights into social hierarchies and cultural values. The tables would probably be adorned within elite spaces, speaking to status and refinement. We see evidence of ancient Egyptian sphinxes and chimeras repurposed and made available as furnishings of privilege. Editor: Absolutely, you see, that connects with the physical labour of construction too: sourcing materials, skilled craftsmanship... How would their purpose and setting affect the craft involved? Curator: Undeniably, this drawing points to a sophisticated understanding of architectural ornamentation and social life. The imagery evokes the Renaissance era love of erudition. Editor: True; while the symbolic intent engages our curiosity, exploring its physical making further connects us to the artisans of this moment. Thank you for elaborating on this piece. Curator: It was my pleasure! And thank you, now I'll never look at pen-ink sketches the same.