Dimensions: support: 177 x 258 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Sir David Wilkie, born in 1785, painted "Interior of a Cottage: Study for ‘The Irish Whiskey Still’." It's currently held in the Tate Collections. Editor: It feels… smoky. Like a memory half-formed, a story whispered in shadows. Curator: Yes, and it's a study, after all, so the incompleteness speaks to a moment in the artist's process, hinting at broader narratives. The whiskey still itself is a charged emblem. Editor: I like how indistinct some parts are. It's as if the room is breathing. What you make out also feels like it's based on how you're feeling when you look at it. Curator: Precisely! It’s a liminal space where cultural norms around sustenance, labor, and even escape are negotiated and made fluid. Editor: Absolutely. Gives you a bit of pause for thought about what's truly solid and what's just a suggestion. Curator: And that's the magic of it for me; the work makes you wonder just what the room would speak about if it could. Editor: What a way to look at a sketch. It makes me want to find a dusty corner and dream.
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http://www.tate.org.uk/art/artworks/wilkie-interior-of-a-cottage-study-for-the-irish-whiskey-still-t08599
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Wilkie was the most important British painter of scenes from familiar life during the early part of the nineteenth century. In mid-1835 he visited Ireland for the first time. The picturesque nature of what he called the 'primeval simplicity' of the peasants' life gave him a wealth of 'perfectly new and untouched' material. As a result, Wilkie made a number of sketches for possible pictures. This vigorous drawing, made in a humble hut, provided him with the background for an oil painting 'The Irish Whiskey Still' which he painted in 1839. The figures and other details of the interior which Wilkie included in the finished painting were based on other Irish sketches he had made. Gallery label, September 2004