Lofty Pines and Great Rock 1639

Cheng Jiasui painted *Lofty Pines and Great Rock* with ink on paper, during a period of immense social and political upheaval in China. Cheng, like many scholar-artists of his time, withdrew from public life to focus on art and personal expression. The painting presents an idealized vision of nature, but it also reflects Cheng's longing for stability in turbulent times. Pine trees in Chinese culture are symbols of resilience, longevity, and moral integrity, often representing the virtues of the ideal Confucian scholar. The great rock is a symbol of steadfastness. During the late Ming Dynasty, many artists turned to painting as a form of personal and political commentary. It can be argued that *Lofty Pines and Great Rock* uses nature as a metaphor, reflecting the artist's values and perhaps a subtle critique of the social landscape. The monochrome ink and the calligraphic brushstrokes add to the contemplative, inward-looking nature of the work. This painting invites us to reflect on our own relationship with nature, and the values we seek in times of change.