Prent 11 uit serie tekenvoorbeelden met Venus en Adonis by Pieter van den Berge

Prent 11 uit serie tekenvoorbeelden met Venus en Adonis 1695

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print, engraving

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pencil drawn

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narrative-art

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baroque

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print

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landscape

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figuration

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engraving

Dimensions height 360 mm, width 275 mm

Curator: This is print number 11 from Pieter van den Berge's series of drawing examples, titled "Venus and Adonis," dating back to 1695. Editor: Immediately, I’m struck by the density of the composition. Look at all the fine lines; you can almost feel the hand of the engraver meticulously building up this scene. Curator: Absolutely. It's a superb example of Baroque engraving. You see how van den Berge used line variations to suggest texture and depth. Note the cross-hatching in the trees and the delicate stippling on Venus’s skin. It's a masterclass in printmaking. These techniques directly impact the viewing and perception of the work as "high art." Editor: The imagery, of course, is what grabs your attention first. The figures of Venus and Adonis themselves – eternally intertwined in artistic representation, but also Cupid at Adonis's hip. It evokes themes of love, beauty, and the transient nature of life. And I'd say their expressions foreshadow the tragic turn the narrative is known for. Curator: Do you think the act of making drawing examples has something to do with the success of its symbolism, I wonder. Van den Berge sought to make Venus, Cupid and Adonis legible, easy to digest. His production values – paper quality, consistent ink tones, clean line work - would certainly suggest he thought of his art as craft. Editor: That's interesting. And I also think about that spear that Adonis has over his shoulder—what do we think that evokes, other than foreshadowing tragedy? He appears almost reluctant to hold it. A burden. A reluctant transition into manhood? Curator: He’s certainly no seasoned hunter yet! Perhaps this drawing served a function beyond artistic training. Maybe these stock figures offered a way to talk about growing pains… both earthly and heavenly. Editor: Food for thought indeed. Examining this print through those lenses definitely deepens our understanding of its potential contemporary impact and the continuous evolution of symbolic language.

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