The Night of Enitharmon’s Joy (formerly called ‘Hecate’) by William Blake

The Night of Enitharmon’s Joy (formerly called ‘Hecate’) c. 1795

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Dimensions: support: 439 x 581 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is William Blake’s "The Night of Enitharmon’s Joy," also known as ‘Hecate.’ It’s undated, but the watercolor is just captivating. The somber mood and strange menagerie of figures are really striking. What do you make of it? Curator: Blake challenged conventional artistic and societal norms. Consider the role of the Royal Academy in shaping artistic taste at the time. How might a work like this, with its esoteric symbolism and rejection of classical ideals, have been received? Editor: I imagine it wasn’t exactly welcomed with open arms by the establishment? Curator: Precisely. Blake critiqued the rationalism of the Enlightenment, so he built his own visual language. It gives agency to imagination. Editor: That’s so interesting! I see how his unique perspective really comes through. Curator: It really makes you consider the power of art to challenge social structures.

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tate about 1 month ago

http://www.tate.org.uk/art/artworks/blake-the-night-of-enitharmons-joy-formerly-called-hecate-n05056

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tate's Profile Picture
tate about 1 month ago

The dense, dark colour-printing in the sky and the rocks suggests that this was the first of the three known impressions to be printed. Blake has used pen and ink to give strong outlines to the figures, and to draw locks of hair, the bat, and the donkey’s mane and rough coat. The figures have been given form and roundness by washes of intense but transparent colour. The owl’s eyes are highlighted with a bright, opaque red wash. Enitharmon is a character in Blake’s mythology. In her ‘night of joy’ she sets out her false religion. Gallery label, September 2004