Mary, Queen of Scots 1825 - 1875

Alexandrine André made this print of Mary, Queen of Scots, using the technique of etching. Etching involves coating a metal plate with a waxy, acid-resistant substance, then scratching an image into the coating. When the plate is dipped in acid, the exposed lines are eaten away, leaving an impression that can be inked and printed. Look closely and you'll notice the delicate network of lines that form the image. The success of an etching depends on controlling the depth and width of these lines, allowing for tonal variation and fine detail. Here, the quality of line is paramount. André coaxes the etched line to describe the textures of Mary's elaborate clothing; her gossamer veil, the heavy folds of her gown, the lace at her wrists, and the sheen of what seems to be an elaborate jewel-encrusted belt. André has used the process of etching to suggest the complex politics and power dynamics of the Queen's court, and her command of luxury. Appreciating the making of this artwork invites us to consider the value we place on it, and the labor required to produce it.