Courtine tussen de bastions Promers en Oranje (Eendenkom) 1933

Simon Moulijn made this drawing of the 'Courtine tussen de bastions Promers en Oranje' with graphite on paper. The subtle tonality gives the image a dream-like quality. The texture of the paper is really allowed to show through. Look closely and you can see how the pencil is used to create small, repetitive marks, building up a sense of depth and volume. It’s like Moulijn is mapping the landscape, one tiny stroke at a time. The trees are given the same weight and attention as the church steeple in the background, creating a sense of harmony. There’s a quietness, a stillness to this work, which reminds me of the drawings of Agnes Martin. Both artists share a similar sensibility, using simple means to create images that are both visually appealing and conceptually rich. It’s a good reminder that art isn’t about grand gestures or flashy techniques, but about seeing the world in a new light and inviting others to do the same.