Valentine 1859 - 1869

Editor: Here we have a beautifully preserved "Valentine," an anonymous piece from somewhere between 1859 and 1869. It's ink on paper, so a drawing or perhaps a print of some kind, housed at the Met. It's really striking how delicate the floral embossed patterns are. What's your take on this piece? Curator: It is a compelling glimpse into the mid-19th century's culture of sentimental exchange, isn't it? This Valentine reveals the commercialization of affection that was burgeoning at the time. The embossed paper and the standardized stamp suggest mass production even as they try to evoke intimacy. Consider how this contrasts with handmade expressions of love. Editor: Mass produced, even then! I guess that makes sense. Do you think that knowing it was likely one of many diminishes the personal meaning it may have held? Curator: Not necessarily. These objects gained meaning through use and social ritual. Think about the Victorian emphasis on courtship and etiquette. This card likely played a role in navigating those complex social dynamics, didn't it? The postal service itself was transforming social connectivity, literally delivering sentiments. What kind of social access did such Valentine's bestow, given the social mores? Editor: That makes a lot of sense. Seeing it as part of a larger system of communication gives it new weight. It’s not just about the feelings but also the process. Curator: Precisely. It’s about how feelings are mediated by social norms and technological advancements. This seemingly simple Valentine reveals how deeply intertwined our emotions are with the institutions and technologies of their time. Editor: Well, I've certainly learned to see past just the surface-level "romance" here! Thanks! Curator: My pleasure. Looking closely always tells us something more.