Dansend stel, de man staat op zijn rechter been en strekt zijn linker arm uit by Cornelis Bos

Dansend stel, de man staat op zijn rechter been en strekt zijn linker arm uit c. 1537 - 1555

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print, engraving

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print

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old engraving style

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mannerism

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figuration

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history-painting

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engraving

Dimensions: height 54 mm, width 40 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have an engraving titled "Dansend stel, de man staat op zijn rechter been en strekt zijn linker arm uit," or “Dancing couple, the man stands on his right leg and stretches out his left arm,” made by Cornelis Bos sometime between 1537 and 1555. It’s currently held here at the Rijksmuseum. Editor: Well, immediately, I’m struck by the sense of poised uncertainty. It's as if they've halted mid-dance, interrupted by something catching their eye. The landscape feels…sparse, almost theatrical. Curator: That sense of theatricality is spot on. Bos, though Dutch, was deeply influenced by Italian Mannerism, and that penchant for dramatic poses and somewhat artificial compositions is clear. This print likely circulated among artists and collectors, offering models for figuration and design. Prints at that time functioned much like the internet does for us today! Editor: It's intriguing to think of art inspiring art in such a direct, portable way. There’s an almost anatomical precision to the figures. Do you think Bos had a specific narrative in mind or just exploring form and gesture? Curator: That's the lovely enigma of Mannerism. It's often about showcasing skill and elegance rather than conveying a clear story. It's worth remembering too that printed images were highly mobile and versatile across Europe during this time. An artist like Bos was well placed to synthesize and respond to many emerging ideas about form and expression, across many artistic hubs. The fact that Bos leaves open the narrative speaks perhaps to that creative openness! Editor: True! This dancing couple does leave room for our own imagination to twirl and take flight. Their pointing gesture makes one want to know what they are seeing. Curator: Precisely. It becomes less about decoding a fixed message and more about appreciating the artist’s sophisticated rendering and inviting us to fill the void! Editor: A fleeting moment preserved and multiplied…fascinating. Thanks! Curator: My pleasure.

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