Portret van Gijsbert Karel van Hogendorp 1837
print, engraving
portrait
neoclacissism
old engraving style
figuration
form
classicism
line
history-painting
academic-art
engraving
realism
monochrome
This is a portrait of Gijsbert Karel van Hogendorp, made by Coenraad Hamburger in the 19th century using lithography, a printmaking process that relies on the chemical repulsion of oil and water. The image is built up from tiny dots and lines, a testament to the artist's skillful manipulation of the lithographic stone. Look closely, and you can see how the textures of Hogendorp's fur coat and the rich drapery in the background are rendered. Lithography emerged as a relatively affordable method for producing images. In contrast to traditional portrait painting, which was usually reserved for the wealthy elite, lithographs allowed for wider distribution. They could be reproduced in newspapers, books, and as individual prints, making images more accessible to a broader public, thus playing an essential role in shaping public opinion and visual culture. Considering the materials, making, and context is crucial to understanding its full meaning, and challenging traditional distinctions between fine art and craft.
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