Opwekking van Lazarus 1651

Moses ter Borch created this drawing, *Opwekking van Lazarus*, with pen in gray ink and brush in gray wash. The artist used readily available materials, likely purchased from a local apothecary or stationer. Note how the ink's fluidity allows for expressive lines, capturing the drama of the scene with broad strokes and delicate details. The gray wash adds depth and shadow, intensifying the emotional impact. The immediacy of drawing allowed Ter Borch to rapidly translate his vision onto paper, emphasizing the performative aspect of image-making. The tools are simple, but their skillful deployment speaks to the artist’s training and dexterity. The use of readily available materials suggests a democratic approach to artmaking, accessible to those with modest means. It's a reminder that artistic expression isn't confined to precious materials or elaborate techniques. It can be found in the simplest of forms, reflecting the artist’s vision and engaging with the social context of its time.