Jar c. 1937

C.W. Perky made this painting of a jar with an unknown medium. The jar, depicted in muted tones, appears to be a utilitarian object elevated through classical imagery. A relief on its side shows a figure that recalls ancient Roman sculptures, hinting at ideals of beauty and civilization. The artwork seems to engage with the history of collecting, showing how ordinary objects can become invested with artistic and cultural significance. Made in the United States, Perky’s work likely reflects the cultural institutions of his time, and the broader artistic discourses around the definition of fine art, craft, and design. It is interesting to ask whether the artist comments on the social structures of his own time. Is he self-consciously conservative or progressive? Does he critique the institutions of art? Understanding this piece requires delving into the historical context of American art education and the decorative arts movement in the late 19th century. Scrutinizing exhibition records and period publications would provide invaluable insights, emphasizing how meanings always depend on social and institutional contexts.