About this artwork
Editor: So, this is "A Battle" by Thomas Stothard. It's an oil on canvas, housed at the Tate. It feels chaotic and dramatic to me, like peering into a swirl of conflict. What strikes you when you look at this, in all its fury? Curator: It's that churn, isn't it? Stothard really captures the visceral energy. The brushstrokes almost feel like slashes. Notice how the figures are interwoven, it is like a dance of death. It makes me think about how history is always up for grabs, a swirling narrative of power and loss. Does it conjure up a particular historical moment for you? Editor: Not really a specific one, more the general feeling of... upheaval. That's a good point about history being contested. I hadn't considered it that way. Curator: Right? It reminds me that history isn't a set of facts, but a collection of subjective experiences. Food for thought, right? Editor: Definitely. I'll remember that, thanks!
Artwork details
- Dimensions
- support: 610 x 686 mm
- Location
- Tate Collections
- Copyright
- CC-BY-NC-ND 4.0 DEED, Photo: Tate
Comments
http://www.tate.org.uk/art/artworks/stothard-a-battle-n00322
Stothard was one of the most prolific of the illustrators of the late eighteenth and early nineteenth centuries. He collaborated with Blake and Flaxman and represents a gentler, sweeter manifestation of Neo-classicism. Here he tackles a warlike subject that Flaxman might have chosen, but in the rich colour and sinuous complexity of his design betrays a debt to Rubens as well as to the Greeks. Gallery label, August 2004
About this artwork
Editor: So, this is "A Battle" by Thomas Stothard. It's an oil on canvas, housed at the Tate. It feels chaotic and dramatic to me, like peering into a swirl of conflict. What strikes you when you look at this, in all its fury? Curator: It's that churn, isn't it? Stothard really captures the visceral energy. The brushstrokes almost feel like slashes. Notice how the figures are interwoven, it is like a dance of death. It makes me think about how history is always up for grabs, a swirling narrative of power and loss. Does it conjure up a particular historical moment for you? Editor: Not really a specific one, more the general feeling of... upheaval. That's a good point about history being contested. I hadn't considered it that way. Curator: Right? It reminds me that history isn't a set of facts, but a collection of subjective experiences. Food for thought, right? Editor: Definitely. I'll remember that, thanks!
Comments
http://www.tate.org.uk/art/artworks/stothard-a-battle-n00322
Stothard was one of the most prolific of the illustrators of the late eighteenth and early nineteenth centuries. He collaborated with Blake and Flaxman and represents a gentler, sweeter manifestation of Neo-classicism. Here he tackles a warlike subject that Flaxman might have chosen, but in the rich colour and sinuous complexity of his design betrays a debt to Rubens as well as to the Greeks. Gallery label, August 2004