Ontwerp voor gedenkbord van de Koninklijke Paketvaart Maatschappij bij de geboorte van prinses Juliana in 1909 by Anonymous

Ontwerp voor gedenkbord van de Koninklijke Paketvaart Maatschappij bij de geboorte van prinses Juliana in 1909 1909

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graphic-art, print, ceramic, earthenware

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graphic-art

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print

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arts-&-crafts-movement

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ceramic

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earthenware

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ceramic

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earthenware

Dimensions height 237 mm, width 207 mm

Curator: This is a design for a commemorative plate crafted around 1909, marking the birth of Princess Juliana, commissioned by the Koninklijke Paketvaart Maatschappij. Editor: My initial reaction? It’s striking. The limited palette, primarily warm terracotta and dark brown, emphasizes a compelling contrast within the geometric shapes. The composition seems both formal and strangely folksy. Curator: Indeed. Let’s observe the application of these graphic forms and the deliberate use of negative space. Notice how the shapes, though simple, create a layered visual effect and allow our eyes to flow from element to element. It’s pure Arts and Crafts movement; design principles prioritized form and function. Editor: Absolutely. Looking at the symbolic details – we have the lions rampant, clearly symbols of royal power, framing the stylized monogram of the royal family. This arrangement acts almost as a coat of arms, echoing historical precedents while presenting a clean, modern aesthetic. Curator: Precisely, this synthesis is what gives this work a compelling tension. The execution, most likely intended for earthenware or a ceramic surface, provides this design with inherent visual texture. Note that its simple but careful linework defines a distinct character. Editor: Considering it's a commemorative piece, do you read any historical context into the decision to commission an item using craft production as opposed to fine art? Perhaps an aim to connect with popular audiences? Curator: A keen observation. Given its purpose and the intended reproduction of such images, I believe you are quite right to suspect that it may speak to accessibility, but perhaps the very choice of the craft aesthetic itself makes a specific comment about domestic values and familial connections— appropriate for a royal birth. Editor: Ultimately, what I find compelling is this dialogue between modern aesthetics and historical motifs, and a fascinating moment captured on what was intended to be, quite literally, functional art. Curator: A fusion of craft and royal commemoration, wouldn’t you agree, providing an intriguing interplay between function, symbol, and artistry.

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