Eugénie Schlosser dans la Marche des Innocents 1861

André-Adolphe-Eugène Disdéri's *Eugénie Schlosser dans la Marche des Innocents*, a carte de visite, captures a sequence of poses from a performance of the ballet *La Marche des Innocents*. The six images showcase the performer's movements, highlighting the innovative potential of photography to document theatrical performances. The work reflects Disdéri's reputation as a pioneer in the photographic portraiture of the mid-19th century. The album page, featuring an octagonal format, further emphasizes the artistic aspirations of photography during this era. This piece exemplifies the evolving role of photography as a visual art form, capturing a moment in theatrical history.