drawing, print, ink, engraving
drawing
baroque
pen drawing
old engraving style
landscape
ink
cityscape
history-painting
engraving
Dimensions: height 171 mm, width 250 mm
Copyright: Rijks Museum: Open Domain
Curator: What an extraordinary example of Baroque cityscape! Here we have "Gezicht op kasteel Jungen Biesen," a drawing by Romeyn de Hooghe, dating back to around 1700. It's currently held in the Rijksmuseum. Editor: It's amazing how much detail he captures with just ink. Almost feels photographic. But something about that formal garden is unsettling to me—manicured, regimented... a bit oppressive, perhaps? Curator: Oppressive… I can see that. The gardens are rigidly structured, reflecting the formality of the era, and the aristocracy’s desire to exert control, even over nature. Notice the figures scattered about, dwarfed by the architecture; are they visitors, or are they part of the aristocratic lifestyle? Editor: A silent part. In this image the landscape feels a means to further empower the castle owners and create a distinction to any non-privileged persons. What does the heavy ornamentation around the crest tell us? Is that some visual bombast about lineage and status? Curator: Absolutely. Those heraldic devices practically shout wealth and power. It was important in that era to proclaim status visibly. I suspect de Hooghe includes these to situate this castle within a very particular social hierarchy. The text around the top is a further indicator; it looks like an inscription, but I can’t make out the language or specific text. Editor: Indeed. And the figures appear to be almost staged. What do we really learn about the daily life within this castle from this piece? Or is it more of a symbolic rendering of dominance? Thinking about how identity and space intertwine feels central to really engaging with this artwork. Curator: I think you’re spot-on. De Hooghe has a story here. I mean, is it history or PR? Editor: Haha! History as PR. That actually makes perfect sense when we look at it through the lens of power and social presentation. So much to unpack with this beautiful old print, really. Curator: Absolutely. I’m walking away wondering if it is really a view of the place, or an idea ABOUT the place!
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