Carl Duisberg 1909

Editor: So, here we have Max Liebermann's "Carl Duisberg," painted in 1909, with oil on canvas. It's a pretty commanding portrait; Duisberg looks like he’s holding court, though the colour palette seems quite muted. What do you see in this painting, beyond the confident pose? Curator: Oh, the confident pose is definitely part of it, isn't it? It's almost… theatrical. I imagine Duisberg was quite a character, and Liebermann captures that brilliantly, I think, with this relaxed though dignified stance. Look how he uses those quick brushstrokes – almost like he’s sketching with colour – especially in the background. It's not just about depicting Duisberg, but about conveying a feeling, an impression of this man’s presence. It feels very modern, even a little unfinished. Don't you think? Editor: Absolutely, it’s not trying to be photographically realistic, is it? The brushstrokes add to a sense of immediacy. Do you get a sense of his status or position from it, or does the technique override that? Curator: That's a delicious question! I think it's both/and. Liebermann certainly signals Duisberg’s importance—the clothing, that confident air. But it’s filtered through this impressionistic lens that humanises him. I mean, those soft, almost fleeting brushstrokes… it’s less about solid power and more about the ephemeral nature of even the most imposing figures. Like we’re catching a glimpse of him rather than seeing the whole, finished story. What do you make of his moustache? Editor: Ah, the moustache, very distinctive. Framing the strong features… I suppose I hadn't really considered it on its own! That helps create the commanding image, though, the more I think about it. Curator: Yes! It is a performance, then – both Liebermann’s and Duisberg’s, perhaps? Anyway, I have certainly learnt a great deal just considering the 'tache... I love how a portrait, just when you think it's still, can become a dynamic space again. Editor: Me too! Looking closely has certainly brought out new details. Thanks so much!