Hagar en Ismaël lopen door de woestijn Possibly 1600 - 1660

Moyses van Wtenbrouck etched Hagar and Ishmael in the desert sometime in the first half of the 17th century. The story of Hagar's banishment, found in Genesis, was a popular subject in Dutch art, often symbolizing themes of exile and divine providence. This detailed print, with its intricate lines and shading, reflects the artistic conventions of the Dutch Golden Age. During this period, the Netherlands experienced significant economic growth and religious reformation, leading to a flourishing art market that catered to a broad audience. Genre scenes and biblical narratives were especially popular. Wtenbrouck's choice of this particular subject speaks to the cultural values of the time, in which there was a complex relationship between religious belief, social order, and the individual's place in the world. By studying the print alongside period texts and sermons, we gain insight into its intended meaning and its relevance to its original audience. This reminds us that art always exists within a specific cultural and historical context.