Two Studies for the Madonna and Child (recto); Flagellation (verso) 1500 - 1600

This drawing of the Madonna and Child, whose creator is unknown, offers insight into artistic practices surrounding religious imagery. These sketches were made in a cultural context deeply shaped by the Catholic Church. The church served not only as a spiritual guide but also as a significant patron of the arts. Artists often relied on commissions from the church to create religious works that reinforced its doctrines and moral teachings. But what was the role of preparatory drawings such as this one? It can be seen as part of the artist's exploration of form and composition. The repetition of the Madonna and Child motif suggests an intensive study of the subject. The verso of this drawing depicts the "Flagellation", a scene of violence against Christ. The way in which artists visualized these religious stories could impact public sentiment and understanding of the gospels. To fully appreciate art like this, we delve into the social and religious history that influenced its creation and function. Examining archival records, theological texts, and artistic treatises helps uncover the rich layers of meaning embedded in such works.