Asa Oke Elephant Pattern Wrappers c. 20th century

Curator: Before us we have “Asa Oke Elephant Pattern Wrappers,” a textile crafted by the Yoruba people, dating from the 20th century. Editor: My first impression is one of intricate simplicity. The palette is quite muted, and the patterns create a delicate, almost ghostly rhythm across the cloth. Curator: Indeed. Asa Oke cloth, particularly wrappers like these, hold significant social and political importance within Yoruba culture. They represent identity, status, and even lineage. Examining the pattern – elephants – provides insight. Editor: How so? Elephants often symbolize power, strength, and leadership. So, these wrappers potentially signify the wearer’s association with those qualities, perhaps suggesting royal or chiefly connections within Yoruba society. The act of wearing is a performative gesture of identity. Curator: Precisely. Moreover, understanding the economics surrounding its production is vital. The weaving of Asa Oke was, and often still is, a highly specialized craft, passed down through generations. Owning such a piece signals economic means as well as cultural capital. Editor: The repetition of the elephant motif also sparks thought around the diaspora. To me, it seems to address notions of cultural memory and resilience. The very act of continuing the craft becomes an act of resistance and affirmation in a postcolonial context. Curator: It does seem likely. And by considering how these wrappers were traded, sold, and worn, we gain a better appreciation for their significance within Yoruba culture and its interaction with global economic systems. Museums displaying artifacts like these need to address their colonial legacies, in addition to being mindful of continued patterns of exploitation in artistic and economic markets. Editor: Absolutely, this piece highlights not only artistic skill but also complex issues surrounding class, identity, and politics both historically and in the present. Curator: Examining the textiles through these lenses deepens our understanding and prompts more challenging discussions. Editor: I agree; looking at the cloth has encouraged me to investigate its many dimensions and consider my role in preserving its past and uplifting its makers.