Journal des Dames et des Modes, Costume Parisien, 25 février 1804, An 12, (535): Turban fait avec un fichu (...) 1804

Curator: Here we have an engraving dating back to 1804, titled “Journal des Dames et des Modes, Costume Parisien, 25 février 1804, An 12, (535): Turban fait avec un fichu (...)", by Pierre Charles Baquoy, currently held at the Rijksmuseum. Editor: My goodness, that title is a mouthful! She looks rather ethereal. The soft color palette, the flowing gown, the overall impression is so serene, like a neoclassical Botticelli. Curator: The Neoclassical influence is definitely present; this print perfectly encapsulates the fashion trends of the Directoire period in France. It exemplifies an era of restrained elegance and a fascination with antiquity. Notice the high waistline, the simple lines of the dress—emulating the garments of ancient Greece and Rome. Editor: Right, like a draped column, really. And is that a turban she’s wearing? That splash of orientalism throws a whole different light on things, doesn't it? A bit exotic, almost subversive. Curator: Precisely. The turban became fashionable due to the increased interest in the "Orient," fueled by Napoleon's campaigns in Egypt. It's fascinating how this simple headdress could carry so many connotations, blending European and non-European aesthetics, signaling a curiosity for other cultures... while also reflecting the complexities of colonialism. Editor: A knotted cultural symbol atop her head, framing her demure gaze, it all brings the idea of beauty standards being an intersection between politics and aesthetics together. Even fashion back then had cultural context, an entire narrative woven into a turban, dress, and shawl. That’s really stuck with me. Curator: Indeed, through what may seem like a simple fashion plate, this work really tells us so much.