As or Dupondius of Faustina I 147 - 161

Editor: So, this is a bronze coin, "As or Dupondius of Faustina I." I notice the patina of age, a sort of greenish-brown hue. What strikes you about its formal qualities? Curator: The coin presents two distinct sides. The profile portrait is a study in classical representation, while the reverse figure appears more stylized. Consider the interplay of line and form – the incised details defining features against the smooth, rounded surface of the coin itself. Editor: It’s amazing how much detail they got into such a small space. The crispness of the lines, even with the wear, is remarkable. Curator: Precisely. The artist utilized the restricted surface to convey both imperial authority and idealized beauty. How does the coin's materiality inform your understanding? Editor: Well, the bronze feels very permanent. It's a solid object that communicates power and value even after centuries. I guess I see it as a very physical representation of history. Curator: Yes, the enduring quality of the material complements the timeless ambition of its design. It is a nexus of power, artistry, and material presence. Editor: I never thought about a coin in those terms. Thanks for pointing out all the nuances. Curator: It's been a pleasure to consider the formal aspects of this work.