Dameschoen van blauwe wol met band achter de hiel en wreefband met strik c. 1950 - 1962
textile
3d printed part
fashion mockup
product fashion photography
virtual 3d design
textile
product design photgrpaphy
wearable design
metallic object render
product mock up
designed for kid
clothing photo
Dimensions length 24.6 cm, width 7.6 cm, height 5.2 cm
Curator: This piece, from between 1950 and 1962, presents us with a women’s shoe of blue wool, made by the Etoile shoe manufacturer, complete with a strap behind the heel and another over the instep, tied with a bow. Editor: My first impression is how faded the shoe's color is; it evokes a sense of nostalgia, a story of the past gently softened by time. The wool makes me think about labor and how class impacts everyday life. Curator: The faded color indeed speaks volumes. Blue, in various traditions, has signified both tranquility and sorrow. In Christian iconography, particularly in depictions of the Virgin Mary, blue represents purity, faith, and hope. These shoes, therefore, may have once symbolized these virtues for the wearer, a sort of silent prayer accompanying her every step. Editor: I agree, and that historical significance is powerful. These shoes prompt thoughts about how fashion, particularly women's fashion, is intertwined with gendered expectations of the period. The small bow adds an element of compliance; one might wonder about the social codes imposed upon women through their clothing choices. Were these shoes symbolic of a restrictive elegance? Curator: That is a compelling question. The bow is particularly telling, being a symbol of binding, promises, and agreements. Beyond its aesthetic appeal, it might reveal societal constraints. And note that blue can also symbolize the Virgin archetype: protection, comfort, unconditional love. Was the wearer a mother? Or wishing for a comforting, perhaps unavailable, mother? Editor: That’s an interesting angle, and certainly, accessories like these functioned within complex networks of signification. They marked belonging, aspiration, but also, possibly, subjugation to trends. We also can consider who was producing these. Labor conditions should not be ignored when contemplating a ‘simple’ woolen shoe. Curator: Absolutely. Such an analysis enriches our understanding. Ultimately, the symbol is alive, ever shifting with our perspective. Thank you. Editor: Yes, and this examination underscores how personal objects, like this shoe, offer pathways into the intricate social narratives of the past. Thank you.
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