De heilige Hieronymus c. 1700 - 1750

This print, titled "De heilige Hieronymus," was made by Bartolomeo Gazalis using etching. Here, acid is used to bite into the metal, giving the lines a particular depth and character. The monochromatic aesthetic here is primarily influenced by the etching process, where the color is determined by the ink used. The fine, precise lines, achieved through careful control of the etching needle, allows for details such as Hieronymus's contemplative pose, the texture of his robes, and the surrounding rocky landscape. The artist’s skill, and labor put into this artwork highlights the importance of technical mastery in printmaking. Gazalis successfully demonstrates how the etched line could bring both spiritual and material worlds together on a single copper plate. A plate that could be used to reproduce this image in multiples, making it accessible to a broad public. This speaks to the wider social implications of printmaking, bridging the gap between the artist's skill and widespread distribution.