Dimensions: support: 1016 x 1270 mm frame: 1180 x 1440 x 115 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: Here we have George Stubbs’s, A Couple of Foxhounds, date unknown. It's quite a striking scene. The hounds seem almost…suspended, caught in a moment before action. What do you make of it? Curator: It's interesting you say suspended. I see them poised, not just physically, but at this fascinating intersection of nature and human intervention. Stubbs, with his scientific eye, gives us anatomical precision, yet places the dogs within this somewhat theatrical, almost operatic landscape. What do you think he’s suggesting about our relationship with the natural world? Editor: I suppose I hadn’t considered the…staging of it all. Perhaps a commentary on our control over nature, or even its artifice? Curator: Precisely! And perhaps it’s both admiration and a cautionary tale. Stubbs isn’t just painting dogs; he’s inviting us to reflect on our own place in the grand scheme of things. It's quite a puzzle, isn't it? Editor: Definitely gives you something to chew on.
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http://www.tate.org.uk/art/artworks/stubbs-a-couple-of-foxhounds-t01705
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The hound and bitch shown here against an imaginary landscape have been harmoniously balanced to form a deceptively simple composition. Unlike Stubbs’s earlier paintings of foxhounds that tended to be more formally posed, this pair are engaged in almost human interaction. The picture was probably commissioned by the Reverend Thomas Vyner of Lincolnshire, an avid sportsman and an expert at breeding hounds. The foxhounds were probably bred from the 1st Earl of Yarborough’s famous Brocklesby pack. Stubbs painted a single portrait of Ringwood, the leading hound in the pack, in the same year. Gallery label, September 2004