Colonel Robert Abercrombie 1788

George Romney painted this portrait of Colonel Robert Abercrombie in England, most likely in the late 18th century. Romney was one of a number of leading portraitists who met the growing demand from the middle classes to have their likenesses captured in paint. The image creates meaning through established visual codes. In particular, the military garb, powdered wig, and confident gaze serve to signify the sitter’s elevated social and professional status. Abercrombie was a Scotsman, one of the many who served in the British military and colonial administration. The extent of the British empire at this time afforded new opportunities for social mobility, but also entrenched existing social inequalities. The historian can shed light on this painting through examination of military records, genealogical information, and studies of British social history. By understanding the social conditions that shaped its production, we can see the portrait of Colonel Abercrombie as a reflection of the complex relationship between individual ambition, social hierarchy, and imperial power.