Dimensions: 15 15/16 x 9 1/4 in. (40.48 x 23.5 cm) (sheet)16 3/16 x 11 5/16 in. (41.12 x 28.73 cm) (mount)
Copyright: Public Domain
This drapery study, of unknown origin, was rendered in graphite and possibly some chalk on paper. The essence of this work lies in the artist's adept manipulation of line and shadow to capture the tactile nature of fabric. Consider how the artist coaxed the graphite to mimic the fall and fold of cloth, imbuing a sense of volume and depth on a two-dimensional plane. The smudging and blending of the graphite particles suggest a deliberate process, where the artist took the time to build up layers to convey the subtle nuances of light playing across the fabric's surface. Although the artist is anonymous, this work speaks volumes about the importance of craft and skill in the creation of fine art. The artistry showcased challenges the traditional hierarchy between so-called 'high art' and craft, reminding us that profound skill is required in both.
This luminous drapery study appears to have been inspired by a figure the artist saw in a painting rather than by a live model. The garment resembles the habit of a Dominican friar (white tunic and scapular beneath a black cloak), a fact that may one day provide a clue to the artist's identity-or at least the altarpiece he or she was studying. Rather than carefully modeling the figure, the artist focused on the shimmering effects and energetic movement of the drapery, which twists and flutters around the turning body. Apparently having run out of room for the figure's right foot at the bottom of the sheet, the artists inserted a large-scale study of it close by.
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